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ClerihewThe Clerihew is a form of comic verse invented by Edmund Clerihew Bentley, and championed by his friend, the novelist Gilbert Keith Chesterton. It consists of four lines of irregular length, rhymed AABB, or two uneven couplets, if you prefer to think of it that way.   
Clerihews are almost always biographical, and the first line usually consists solely of the subject's name, perhaps the most famous example being:   
    Sir Christopher Wren      Said, "I am going to dine with some men.      If anyone calls,      Say I am designin Clerihew
in Essays on 2/16/06
Ottava RimaOttava Rima is an eight-line form, originally Italian, having either eleven syllables per line or a line of iambic pentameter—the commonly accepted English use of the form being iambic pentameter.   
The rhyme scheme is A-B-A-B-A-B-C-C, which is a moderately rigorous rhyme scheme.  This makes ottava rima an excellent stepping-stone toward writing sonnets.   
The earliest known use of ottava rima is in the works of Giovanni Boccaccio, who wrote several minor poems in the form and then used it as a stanza form in several of his longer works.  This act propelled ottava rima to the primary form for epic poe Ottava Rima
in General Non-Fiction on 11/30/04
Rondel, Rondel Prime* A note: In my studies of these forms (Rondeau, Rondel, Rondelet, Roundel, Rondine, etc) it becomes increasingly clear that there is little accurate information. To the best of my knowledge, this is accurate although I had to wade through acres of mislabeled works and forms to accumulate this much. Keep in mind that most definitions of these forms are rather broad and ambiguous due to the fact most people think the forms are all interchangeable or there is only one or two forms for all these different names. The truth, as I have discovered it, is rather drastically different.   
Rondel:  
 
     & Rondel, Rondel Prime
in General Non-Fiction on 11/25/04
Rannaicheacht GhairidIrish Poetry -- Background and Information   
The bard's spoken language lent itself to the natural rhythm and rhyme, and  alliteration, consonance and repetition were very important to the Irish poet.  Until the 5th Century, the only written form of Irish was Ogham, used only for carving into trees and gravestones. Therefore, poetry was oral, and based on sound structures so they would be easy to remember. When crafting medieval Irish poetry, remember that it is cyclical and the last line should end with the first syllable word or the complete line or thought, bringing it around again to the beginning.  
 
Praise poetry w Rannaicheacht Ghairid
in General Non-Fiction on 9/25/04
Bref DoubleThe Bref Double   
The bref double is a French form. It is similar to the sonnet, but it need not be written in iambic pentameter (it can be in tetrameter, hexameter, or any other meter you prefer). The rhyme scheme is also different from a sonnet. The bref double contains three quatrains (four-line stanzas) followed by a final couplet.   
a/x/b/c  x/a/x/c  a/x/a/b  a/b   
The x standing for a line that doesn’t rhyme with any of the other lines.   
An example:   
 
Road Closed...   
With crystal rain, the sky is filled  with diamond flakes that swirl and danc Bref Double
in General Non-Fiction on 9/7/04
The ConachlonnThe conachlann is a simple bardic form of chain verse. The last word of one line, starts as the first word of the next line. You have a bit of slight leeway, as you will see in the examples. This is a medieval Irish poetic form.   
Amergin's invocation of Ireland is a very famous conachlann.   
Ailim iath n-erend  
Ermac muir motach  
Motach sliab sreatach  
Sreatach coill ciotach  
Ciotach ab eascach  
Easach loc lindmar  
Lindmar tor tiopra  
Tiopra tuath aenach  
Aenach righ teamra  
Teamair tor tuatach  
Tuata mac milead  
Mile long libearn  
Libearn ard Ere & The Conachlonn
in General Non-Fiction on 9/3/04
Sapphic VerseSapphic Verse   
 
Made famous by the greek poetess Sappho of Lesbos, c 600 BC - the Sapphic stanza is a metric poetic form spanning 4 lines.  
 
The form has 3 hendecasyllabic lines - Each consisting of the following metric feet: trochee, trochee, dactyl, trochee, trochee   
The fourth, concluding line has a Dactyl followed by a Trochee - this last line is known as the Adonic or Adonean line.   
 
A brief note on the metric feet used in Sapphic Verse -   
A Trochee is a two syllable foot, which follows a 'DAH-dah' rhythm  e.g 'TRO-chee'  A Dactyl is a three syllable foot, Sapphic Verse
in General Non-Fiction on 7/18/04
PalindromesSotades invented palindromes in Greek-ruled Egypt, back in the 3rd century BC. In fact, palindromes were once known as "Sotadic verses." He was thrown into the sea (wrapped in lead) by King Ptolemy II, for insulting the king in one of his verses.   
They were quite popular in the 1800's, but have not shared much popularity since around the 1930's.  
 
Palindrome comes from the Greek words "palin" (again or back) and "dramein" (to run). So if you read that backwards, it translates loosely into "to run back."  
 
The palindrome simply reads the same forwards and backwards, usually with a central focal point from wh Palindromes
in General Non-Fiction on 7/16/04
The GlosaThe glosa is an early Renaissance form that was developed by poets of the Spanish court in the 14th and 15th centuries. In a glosa, tribute is paid to another poet. The opening quatrain, called a cabeza, is by another poet, and each of their four lines are imbedded elsewhere in the glosa.  
 
The opening quatrain is followed by four stanzas, each of which is generally ten lines long, that elaborate or "glosses" on the cabeza chosen. Each ending line (10th line) of the four following stanzas is taken from the cabeza.   
The usual rhyme scheme of a glosa is final word rhyming of the 6th, 9th and the borrowed 10th lines. &nbs The Glosa
in General Non-Fiction on 7/15/04
The AcrosticAn acrostic poem is created by arranging the first letter of each line so that they flow in alphabetical order, or form a word or phrase. Rhyme and meter aren't issues in this style of poetry, which causes some to consider it not poetry at all. Also, the only set length is that of what you choose to represent with the first letters. However, it's been around for thousands of years. This style was common among the Greeks and derived from the Greek words akros, "at the end," and stichos, "line". It was used by Latin playwrights and Medieval monks; it was popular in the Middle High German and Italian renaissance periods. If it please ya, learn m The Acrostic
in General Non-Fiction on 7/12/04
Winning ID for Poetic Forms
in deviantID on 6/18/04
The Cinquain****Cinquains****  
 
Before Adelaide Crapsy developed her version, a cinquain had the same definition as quintain. These are both poems of five lines with varying rhyme, though most often forming the familiar 'abab' layout. Ms. Crapsy's version of a cinquain is somewhat different. While she was American, Japanese poetry was an obvious influence.  
 
The style still contains five lines, but the syllables of each are strictly measured. The first and fifth contain two syllables apiece. Line two has four syllables, line three is allottted six, and the fourth line contains eight. This gives you a grand total of twenty-two syll The Cinquain
in Editorial on 2/29/04
The TetractysThe tetractys, made famous by Pythagoras, has become a modern poetry form. Ten was thought to be a number of power, and by having the lines leading up to the last line equal ten, it seemed logical for the creator of the tetractys poetry form to name it such.   
A tetractys has in total, five lines. The syllables are as follows:   
First Line - 1 syllable  Second Line - 2 syllables  Third Line - 3 syllables  Fourth Line - 4  syllables  Fifth Line - 10 syllables   
In any formatting, it gives a triangle shape. It can be reversed, starting with the ten lines, and moving downwards for a The Tetractys
in Editorial on 2/20/04
The RictameterA rictameter is an interesting, and visually beautiful type of poem. When centered, it looks much like a diamond. It is similar in idea to a haiku as far as the spirit of the poem, but seems to be an evolution of a cinquain.   
To form a rictameter, you start with a line of two syllables, then consecutively increase each syllable number in the next lines by two, until you reach ten syllables in the fifth line. Then, you start decreasing by two syllables, until you reach the same two syllable line you started with.   
The syllables would look something like this per line: 2,4,6,8,10,8,6,4,2.   
If you wish to expe The Rictameter
in Editorial on 2/1/04
Terza RimaThe terza rima is a traditional poetic form whose most renowned offspring is Dante's 'The Divine Comedy' (ca. 1300).  Obviously it wasn't first written in English, but it works just as well and is very pleasant in my opinion, especially when it's read aloud/performed.   
The form is best written in iambic pentameter:  The sheep was killed by wings of fire and ice;  (the SHEEP | was KILLED | by WINGS | of FIRE | and ICE)   
And yes, I know that example is horrible, but it gets the point across  
 
The rhyming scheme is as follows:  a-b-a, b-c-b, c-d-c, d-e-d, e-e   
Here is an example Terza Rima
in General Fiction on 9/5/03
The GhazalThe Ghazal is an adaptation of a Persian form of poetry used to honor emperors and noblemen. A part of this poem broke off and evolved into the Ghazal. It is not a very commonly used English form as it was introduced only recently.     The Ghazal is a string of 5-15 couplets, with each couplet being able to stand alone as a complete thought and/or poem. At the end of the second line of every couplet is a 1-3 word long refrain. The word before the refrain is a rhyme that carries through the entire poem. A rhyming scheme would look like that: AA, BA, CA, DA, and so on.   
The first and last couplets are special. In the The Ghazal
in General Fiction on 8/29/03
HaikuHaiku is a type of poetic form as well as a way of describing and experiencing the world. A haiku is a very short, 17 syllable form. It usually consists of three lines with a 5 - 7- 5 syllable pattern. This seems deceptively simple, but the haiku form can take years to master. A well written haiku is based in the physical world of our senses, but suggests something more deep, and usually linked to nature and its existence.   
However, a more modern version of haiku called free-form-haiku is more relaxed on terms of the subject (however, it must still be of a spiritual nature). The original form of haiku does not sound appealing when Haiku
in General Fiction on 8/21/03
The Luc BatThe Luc Bat   
Many poets enjoy writing in Tri meter (six syllable lines) and Tetra meter (eight syllable lines), so this form should be fun to experiment with. Some of you who prefer lyrical poetry might find this form useful, as well as challenging, because it lends itself quite nicely to some styles of story telling as well.  
 
The Luc Bat is a Vietnamese form of poetry, which simply means “six eight.” You can see there was an influence by the French as it was The Colony of Indo China before it became Vietnam. It was introduced into Europe by the French, but for some reason never became popular.   
The odd li The Luc Bat
in General Fiction on 8/21/03
TankaTanka (or Waka)   
Its origin is Japan, its history since whenever. From what\'s been archaeologically found, the oldest tanka dates back to a.D. 620. Consequently, and obviously this form is far older than the haiku, which firmly established itself in the Edo era. The oldest anthology of previously made tanka is said to be made around the year a.D. 760 (This anthology is called Manyoshu and contains over 4000 poems in 20 volumes written by everybody from the emperor to normal peasants). The themes were - not surprisingly - drawn from nature and tradition, then evolved from the personal to subjective, adding Chinese influences of ph Tanka
in General Fiction on 7/20/03
The TrioletTriolet- Write-Up   
History:   
 The triolet (pronounced as tree-oh-lay) is one of the many fixed forms of verses we have today. It was invented in medieval France, and has been preserved through modern literature.  
 
 Back in the medieval ages, the triolets were short witty poems that had a ten-syllable meter to it. It was perhaps due to the lightness of this structure that the triolet was often used to express humour, although it has been said that some of the first English triolets were of spiritual content.   
Form:   
 A triolet is a French verse of eight lines and two rh The Triolet
in General Fiction on 7/10/03
The Ballade and Chant RoyaleThe Ballade  The ballade is one of the fixed forms that became so popular in France in the 14th century. The name derives from the Old Provençal ballada, a song sung while dancing. One of the first poets given credit for perfecting the style and popularizing the form is Guillaume de Machaut.   
The poem consists of three stanzas of eight lines each, followed by an envoy of four lines. Each stanza uses the same fourth, and last line, and these are also respectively, the second, and last line of the envoy. The form ends up looking like this.   
a-b-a-B-b-c-b-C  a-b-a-B-b-c-b-C  a-b-a-B-b-c-b-C  b-B-c-C &n The Ballade and Chant Royale
in General Fiction on 6/6/03
PantoumsThe pantoum, or pantun, is a form originating in Malaysia which was brought to the French language by Ernest Fouinet (not Victor Hugo, contrary to popular belief).  It was popularized by Victor Hugo and later Charles Beaudlaire.  In a pantoum, the lines are interlocking and the first line is identical to the last line, which gives the poem a static or a cyclical feeling.   
A pantoum has no set meter, but many use iambic tetrameter in the style of a ballad.  The poem is comprised of any number of quatrains rhyming ABAB.  Personally, I enjoy those which rhyme ABAB-BABA-ABAB and so on with only two sets of rhymes, Pantoums
in General Fiction on 5/30/03
The VillanelleA villanelle is a form used widely in France in the sixteenth century, and which remains popular among formal poets. Its strict repetition and rhyme scheme makes it a source of headaches and sleepless nights for those who enjoy writing them. The form lends itself better to exploration of a haunting theme than to a lyrical subject or story, simply because of the amount of repetition.  
 
Formally, the repeated lines are strict; some people vary them somewhat, altering punctuation or a few words, to soften the form somewhat. Most villanelles are in iambic pentameter, but any meter could be used, or none. The form is made up of five te The Villanelle
in General Fiction on 5/28/03
SestinasThe word \"sestina\" comes from the Italian sesto, or six. The sestina is originally a French form, and a very old one, originating in the twelfth century in the work of Arnaut Daniel, a troubadour. It\'s lyrical and relies on the repetition of six key words and does not normally rhyme. The sestina\'s length lends itself to poems that tell stories or otherwise travel thematically, and its final stanza makes for a strong conclusion.   
The form has six sextets and a final tercet. Many sestinas are in iambic pentameter, but it is not necessary; but whatever meter is chosen is usually maintained throughout a single poem--so a sestina m Sestinas
in General Fiction on 5/28/03

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